"Engin" is a sharp and futuristic font. It has rigid structures and broken forms. It's a font that will be used in 2132. Wide shapes and non-standard patterns create a strong image and texture of the text.
Engin supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported.
The font has one Regular weight, all uppercase. Engin font was designed by Viktor Pesotsky.
Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won't notice much about style, but something will let you feel extraordinary and trust.
Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.
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Inspired by the stroke movements of brush lettering ‘Summer Display’ is an energetic family featuring high-contrast and well-proportioned letter shapes suitable for large displays and headlines.
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| Download Summer Display Fonts Family From Missin Glyphs |
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Stana is clean and tall display font. There are more than 150 glyphs included.
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| Download Stana Fonts Family From Wirtu |
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Andora Ardelion is a stylish and elegant new calligraphy font, suitable for designs that need both a touch of elegance and modernity. This font has a lot of swashes that can help anchor your projects in ornamental glamour.
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| Download Andora Ardelion Fonts Family From Gittype |
A very expanded sans serif font in capital letters inspired by the inscription on a bank note
Old bank notes tend to have a very typical typography. Usually they carry decorative and elaborately designed markings. For one thing, they must be practically impossible to forge and for another, they should make a respectable and legitimate impression. And in the days of copper and steel engravings, that meant nothing less than creating ornate, shaded or otherwise complicated scripts. Designing the appropriate script was literally in the hands of the engraver.
That’s why I noticed this bank note from 1948. It is the first 20 mark bill in the then newly created currency ”Deutsche Mark.“ All other bank notes of the 1948 series show daintier forms of typography with an obvious tendency toward modern face. The 1949 series which followed shortly thereafter reveals the more complicated script as well. For whatever reason, only this 20 mark bill displays this extremely expanded sans serif variation of the otherwise Roman form applied. This peculiarity led me in the year 2010 to create a complete font from the single word ”Banknote.“
Back to those days in the 40’s, the initial edition of DM bank notes was carried out by a special US-American printer who was under pressure of completing on time and whose engravers not only engraved but also designed. So that’s why the bank notes resemble dollars and don’t even look like European currency. That also explains some of the uniquely designed characters when looked at in detail. Especially the almost serif type form on the letters C, G, S and Z, but also L and T owe their look to the ”American touch.“
The ingoFont Banknote 1948 comprises all characters of the Latin typeface according to ISO 8859 for all European languages including Turkish and Baltic languages.
In order to maintain the character of the original, the ”creation“ of lower case letters was waived. This factor doesn’t contribute to legibility, but this kind of type is not intended for long texts anyway; rather, it unfolds its entire attraction when used as a display font, for example on posters.
Banknote 1948 is also very suitable for distortion and other alien techniques, without too much harm being done to the characteristic forms.
With Banknote 1948 ingoFonts discloses a font like scripts which were used in advertising of the 1940’s and 50’s and were popular around the world. But even today the use of this kind of font can be expedient, especially considering how Banknote 1948, for its time of origin, impresses with amazingly modern detail.
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